
German Title:
Stoker - Die Unschuld endet
USA / UK, 2013
Director: Park Chan-wook
10/10
"Stoker" is the first movie this year that completely and utterly blew me away. My expectations weren't that high. The trailer looked interesting and the plot sounded cool, but I wasn't really into it - and then I sat there in the theater, when suddenly the movie came up to me and hit me like a Tsunami. Chan-wook created a stylish, intense, unsettling, emotional and thought-provoking tour-de-force, perfect from the breathtaking opening until to the powerfully brutal last shots.

The movie is basically a psychological mystery-thriller, a bit in the vein of Hitchcock's 40s / 50s murder mysteries, but way darker, way more intriguing and way more bizarre, thanks to the captivating plot, the highly intelligent and masterfully crafted screenplay by Wentworth Miller (yup, the one from "Prison Break"), and the incredibly powerful visual language of Chan-wook's long-time partner Chung Chung-hoon who provides us with a staggering and stunningly detailed cinematography, at times so awesome, I actually haven't seen anything like that before. Plus: another fascinatingly beautiful score by the great
Clint Mansell.

Highlights: the erotic piano-scene, the weird shower-masturbation, every single scene with the little spider, every single scene in the creepy cellar, the pencil attack, the phone-booth kill, Kidman's monologue about "why we have children", and the superbly suspenseful finale.
"Stoker" is an absolutely outstanding masterpiece and so far, one of the greatest movies this year. It will leave you stoked.

Source:
http://www.horrormoviediary.net/2013/04/stoker.html